I Dish, Therefore I Am: Performing Toothy Tile and Ted Casablanca

Since March 2003, E! Online gossip columnist Ted Casablanca has published a series of blind items about Toothy Tile, a rising young actor who allegedly is at war with his management over his desire to come out, something he has threatened/promised to do at the Academy Awards presentations and in a magazine interview.  None of these incidents have taken place, however, and there is still no definitive answer to the question of Toothy Tile's identity or even his existence, all of which have been topics of heated discussion on various online gossip sites.  The Toothy Tile story represents the intersection of various performances:  Bruce Bibbey's performance as gossip columnist Ted Casablanca, the public and private performances of the actor identified only as Toothy Tile, the performance of closeted actors in general and the performances of the various posters debating the issue, often using names and identities manufactured for the internet.

Colonizing Queer Bodies: Eight Ruminations on a Revolution Attributed to Sky Gilbert

Crafting the Theatre of Hell: The Evolution of John Herbert's "Fortune and Men's Eyes"

Presented at ATHE 2009

Although now acknowledged as a major work in the development of queer and Canadian theatre, John Herbert's "Fortune and Men's Eyes" went through some surprising transformations in the years immediately following its 1968 premiere.  This paper examines the treatment of the play's ending, in which Herbert breaks the fourth wall for the first time in the play,  in the 1969 revival staged by Sal Mineo, the 1970 film version and the 1971 Parisian production to determine how the very different endings change the play's meaning and to ascertain, if possible, Herbert's role in making those changes.

Censored Hollywood: sex, sin, & violence on screen

Censored Hollywood: Sex